Paperback: 320pp

Published: Lightning Books (August 2018)

ISBN: 9781785630835

An Isolated Incident

Emily Maguire


SHORTLISTED: Miles Franklin Literary Award


SHORTLISTED: Ned Kelly Prize for Best Crime Novel

SHORTLISTED: Australian Book Industry Awards

When 25-year-old Bella Michaels is brutally murdered in the small town of Strathdee, the community is stunned and a media storm ensues.

Unwillingly thrust into the eye of that storm are Bella’s beloved older sister, Chris, a barmaid at the local pub, whose apparently easy-going nature conceals hard-won wisdom and the kind of street-smarts that only experience can bring, and May Norman, a young reporter with high ideals sent to cover the story.

An Isolated Incident is a humane and beautifully observed tale of everyday violence, the media’s obsession with the murders of pretty young women and the absence left in the world when someone dies.




Monday 6 April

It was the new cop who came to the door, the young fella who’d only been on the job a couple of months. I thought that was a bit rough, sending a boy like him to do a job like that. Later, I found out that he was sent because he’d gone to pieces at the scene. That’s what we all call it now: the scene.

‘Miss Rogers?’ he said, as though he was about to confess to reversing into my fence.

I nodded, waiting for the blow I knew was coming. I knew it was coming because Bella had been gone days and because no cop ever came to anyone’s door to bring them cake or wine. 

He rocked on his heels and cleared his throat. ‘You found Bella?’ I said, to give him a way to start. To show him it was OK.

‘Yeah.’ He blinked and I thought, Jesus, he knows her. ‘I mean, there’s been a body found. Matches her description. We need an official ID. Um, need you to come to . . . to do that. To confirm.’

Someone who’s been hit as much as me should’ve known that seeing a blow coming, asking for it even, doesn’t make it hurt any less. Probably hurts more, I reckon, because you’re thinking yeah, yeah, get it over with and you think you already know. So I stood there nodding, thinking how the poor kid knows my sister and what a rough job to give a new fella and then I was shaking so hard it was like a demon had got inside.

The whole way to the hospital I wanted to ask him what had happened. I was hoping she’d been hit by a car or had a brain embolism or something. I wanted to ask those questions I’d asked when Mum died: ‘Was it quick? Did she suffer?’ But I couldn’t speak. Never happened to me before, no matter what drama I’ve been chucked into. But there in that car it was like . . . It was like when you’re so sick with some damn stomach thing that you don’t even want to say ‘no’ to the offer of ice chips to suck, don’t even want to nod, because the tiniest movement will bring the spewing on again. Like that, but I didn’t feel like spewing. I just felt like any sound or movement would start something that would hurt and be impossible to stop.

The cop, Matt was his name, told me that he knew her from school. ‘She was two years ahead of me, but it’s a small school, ya know?’

I knew. I went there myself. Bella was twelve years younger than me, which made this boy twenty-three – so not a boy at all, technically, but his clenched jaw was dotted with pimples and his hands on the wheel were smooth and unscarred. I asked him if he’d seen her since school and he nodded, smiled like a love-struck dork and said he’d seen her a few times at the nursing home where she worked. ‘We get called there a bit,’ he said and it was clear he never minded being called to that stinking place by my sister who, even in that blue polyester uniform and those clunky white nursing clogs, was the prettiest thing anyone in this hole of a town was ever likely to see.

At school we had an expression: Strathdee-good. It meant that something was tops by Strathdee standards but not much chop compared to anything you’d get outside of here. So if you had a particularly good pie or whatever, you’d say, Man, this is good. Strathdee-good, obviously, but yeah. We did the same thing for people. None of the blokes at our school could compete with boys from Sydney or Melbourne, obviously, but there were a few who were definitely Strathdee-hot and so they were the ones we’d go for. 

Bella was, if I’m being honest, Strathdee-pretty. I was always telling her she could be a model if she wanted, and I still think that was true, but it’d be modelling in the Kmart catalogue not Vogue or anything. I’m not putting her down. Like I said, she was the most beautiful thing anyone around here had ever seen in the flesh, but she was five foot nothing in high heels and had a size 10 arse on a size 6 body. Her skin was like fresh milk, and her light blue eyes so goddamn lovely it made me jealous as hell when we were younger. She could’ve done cosmetic ads, for sure, except they’d have had to do something about her hair, which was thick and frizzy and grew out and up instead of down. I used to tease her, saying that she was actually an albino African and that Mum had just adopted her because she felt sorry for this poor kid who all the other Africans thought was a freak. When she was twelve or so she started getting up really early to go through the rigmarole of oiling and flat-ironing her hair before school and then I felt bad for tormenting her. I told her that her hair looked hot, that it was way nicer than my bog- standard mousy-brown mop, but she never believed me.

One good thing about getting older is you make peace with the things you can’t change about yourself. Not that Bella ever got old, but she was always mature for her age. By nineteen or twenty she’d stopped straightening her hair every day and just let it frizz out over her shoulders. She had to tie it back for work, of course, and I loved it like that most of all; the front all smooth and sleek and out the back a giant blonde fuzzball.

I never had to make peace with my hair – it was never my problem. My problem was my tits. I was too young when they sprouted and then they grew so fast. Eleven, twelve, thirteen and becoming used to feeling naked, feeling rude because of the way that boys and men – old men, teacher men, family men, strange men, friendly men – looked at me and found reasons to touch me and press against me and every now and then go for a sneaky grope. It set me apart from the other girls and made their mothers narrow their eyes and suggest I put on a jumper when it wasn’t cold and made the boys my age laugh and call out slut and showusyertits as I walked past. These giant tits that told everybody I was a scrubber and easy and trash.

For the first few years I tried to ignore them. I mean, ignore the effect they had on people. The things themselves I packed into bras which my mum bought grudgingly (I kept outgrowing them and then wearing through the nylon). Once she said, ‘ Try and slow down, Chris. I’m not made of money,’ as she tossed a Target bag on the bed, and although I knew she was joking I felt hurt and shamed like there might be some truth in the suggestion that I was growing these things on purpose.

At around fourteen I picked up the idea that I could diet them away, but a smaller arse only made them look more super-sized. I tried to keep them covered, but, you know, a mountain range covered in snow is still a mountain range. Then I gave in. Not to the men who tried to corner me, but to the name-callers and whispers. I pretended to be the thing they all thought I was.

And now, well, now, I wear low-cut tops and bend forward more than I need to if it’s been a slow night for tips and I barely notice when men speak to my chest, women shoot death-stares at it and people of both sexes treat me like I have brain damage. Now, I’ve learnt to live with the fact that most blokes who come home with me will be breast-men and that once in bed they’ll spend more time nuzzling and squeezing than getting busy down below. I spend a lot of money on good bras and keep my thigh muscles strong so I can bounce up and down forever. Give ’em what they want.

I didn’t choose to have an enormous rack, but you have to accept the things you cannot change, don’t you? So I do. I accept that having big boobs makes me a popular barmaid and an excellent root. Not excellent-excellent probably, but Strathdee-excellent for sure.

I’ve gone off the track. I do that. I have to, you know? This track is not an easy one to trudge down.

It was a quick drive. I mean, there’s no such thing as a long drive in this town – you can go from highway exit to highway on-ramp in the time it takes to drink a large takeaway coffee – but the drive from my place to Bella’s body seemed supernaturally fast. As we pulled out from my driveway I noticed that there was yet another stripped-down car on Carrie’s lawn, making it four in total. Then suddenly we were at the three-churches intersection downtown and a second later we were swinging into the staff car park behind the hospital.

Matt led me through a door I’d never noticed and into an elevator which seemed to take about as long as the drive had. When the doors opened there was another cop looking right at us. Senior Constable Tomas Riley, I knew, because he spent almost as much time at the pub where I worked as I did. He told me he was sorry to see me under these circumstances. He walked me and Matt through to a reception area where he said something I didn’t follow to a woman behind a desk. The woman asked me for ID and I was confused for a minute, started to say I hadn’t done it yet, the ID-ing.

‘No, no,’ Riley said. ‘Do you have some identification? A driver’s licence?’

‘I don’t drive,’ I told him, rifling in my bag for my wallet. ‘I’ve got Medicare. Bank cards. Responsible Service of Alcohol.’ I piled all the plastic onto the counter. The woman smiled and grabbed up a couple, scanned them through a machine, handed them back. She printed a form and passed it to Riley, who signed it and then touched my arm and led me down another hallway.

My skin tingled as the air-con dried my sweat. I hadn’t known I was sweaty until then. I don’t think it was even hot that day. It was grey out, I remember that much, but we do get those grey days so humid you can hardly bear to wear a stitch, don’t we? It might have been like that. I don’t know. I just know that walking down those empty blue hallways with a cop on either side, my skin started to cool and dry. I did a fake stretch and had a quick sniff under the arm. No BO that I could detect, so that was something.

‘Rogers your married name?’ Riley asked me, but in a making- conversation way, not jotting it down in his notepad or anything like that.


‘Oh. Your sister –’

‘Bella has a different dad.’

Bella’s father was a real classy bloke, which is how come she had such a pretty name. Me, I was named by our mother who was not of the soundest mind at the time, given how she was eighteen years old and newly delivered of a giant baby whose dad she’d not seen since he fled to Tassie on hearing he’d knocked up the checkout chick he’d been rooting behind his wife’s back. Mum was pissed off she couldn’t give me his surname so she gave me his first – Chris. When I was younger I pretended it was short for Christina, but now I don’t bother. Just Chris, that’s all.

We stopped outside a set of dull silver doors. ‘Chris, have you ever viewed a body before?’

I shook my head. He said some stuff I don’t remember. I couldn’t listen. I was suddenly sure that the dead girl through those doors wasn’t Bella. I was sure. I started practising in my head how to sound sad and sorry for whoever she was even though I was lit up with joy because she wasn’t mine.

‘Are you ready?’

I nodded. It’d all be over soon and I’d be back on my way home, trying her mobile again, leaving her another annoyed message about driving us all nuts with worry.

Funny thing is that even when they pulled the sheet back I thought for a minute it wasn’t her. I thought, Jesus, what has happened to this poor kid, this poor girl, someone’s darling girl, how do you do that to someone, someone’s precious beautiful girl, this poor little thing with hair just like Bella’s.

And I didn’t think of this right away, but later I realised how lucky it’d been I couldn’t speak on the car trip. Can you imagine if I’d asked that poor young cop whether Bella had suffered? I mean, Jesus. Can you imagine?


‘Superb writing and sense of place. Totally credible voices. Read her!’

Ann Cleeves

‘One of the things I like in crime fiction is when it’s a whydunnit, or when it’s about the ripple effects of a crime, and An Isolated Incident is very much about the aftermath of a crime. It’s a beautifully, beautifully written book which has introduced crime fiction to a much wider literary audience’

Emma Viskic


‘Utterly engrossing ... skilfully constructed narrative ... Rather than creating a simple case of goodies and baddies, Maguire subtly examines the complexity of the human personality and what leads somebody to feel destructive. This hugely chilling and evocative story, mixing lyrical language and brutal events, is told with great psychological acuity’

Sydney Morning Herald

‘This is a harrowing, fascinating, compelling work from an accomplished and thoughtful Australian writer who uses the vehicle of a young woman’s death to question and explore society’s treatment of women, the everyday violence it condones and its intrusive fascination with the murder of pretty young women’

The Australian

‘This is far more than a page-turning crime drama, though it is also that. Maguire’s focus is on those left behind, the often unacknowledged victims of violent crimes... It is a nuanced portrait of a group of flawed characters, male and female, responding to a tragedy... Above all this is a powerful and provocative examination of grief and, in Chris, Emily Maguire has created a character who resounds in the imagination’

Newtown Review of Books

‘Maguire eschews lingering looks at the victim’s terror, the body in situ, forensic detail or the male gaze of the investigators, and instead gives us the grief rage and complex emotions felt by Bella’s older sister and her fellow townsfolk. Both lyrical and colloquial, An Isolated Incident is an evocative outing that explores the violence threading though everyday life, and our responses to it’

Craig Sisterson, Southern Cross Crime

An Isolated Incident is the kind of story that stays with you for a long time after you finish reading it. It is a moving and often painful tale of grief and the devastation of loss, and it is also an exposé of the prevalence of casual sexism, misogyny and violence against women. It’s a compelling and intense story, one that is certainly very different from the typical psychological thriller. An Isolated Incident is certainly a great and important book’

Nudge Book

An Isolated Incident is clear-eyed and forceful. It’s always compelling, it’s extremely well-written, and most of all it’s important: giving a sustained perspective about what life can be like for a vast section of people. At times it left me shaken and at times it left me horrified, but in the way that writing should do – showing you the world as it is, so you put the book down determined to take action. It’ll undoubtedly feature on many ‘Best of the Year’ lists in 2018, and deservedly so. I recommend it highly’


‘You think it’s going to be a whodunnit but it very cleverly subverts the crime novel: it’s a novel with a crime in it and whodunnit doesn’t matter. It’s got a lot to say about male violence and how we digest crime’

Kirsty Doole, Late To It podcast

‘Unexpected. Challenging. Utterly compelling’

It's An Indie Book Blog

‘From the moment I picked up An Isolated Incident, I couldn’t put it down. Fans of Gillian Flynn’s Sharp Objects and Gone Girl take note, this is the book that you need in your life right now’

The Book Chief

‘Set against the backdrop of a misogynistic society in which violence against women is almost routinely perpetrated, Maguire’s novel explores the effects of a murder on the family of the victim and the community in which they live, and it’s riveting... a crime novel for those who don’t read crime’

A Life in Books

‘One of those novels that refuses to be boxed into a single category... it dances a fine line between crime thriller and literary fiction. What makes it so effective is the spotlight Maguire shines on misogyny and everyday violence against women without being too prescriptive or obvious. An excellent, deeply unsettling read that explores sex, marriage, prostitution, masculinity, criminality and violence. It deserves a wide audience’

Reading Matters

‘An excellent novel. Recommended’

Promoting Crime Fiction

‘Crikey. This is a powerful book. Emily Maguire has not written a whodunnit crime novel, but rather explores the experiences of those left in the wake of a violent murder. An Isolated Incident is just what society needs to read right now’

Have You Read This

‘A beautiful, brutal, utterly riveting psychological drama which takes an edgy and insightful look at crime from the underneath. It’s darkly complex and completely compelling throughout. Recommended’

Liz Loves Books

‘Where you might normally expect a mystery to give a sense of progressing towards a solution, there’s a void at the centre of Maguire’s mystery, which fills up with more and more uncertainty. It’s engrossing stuff, with a strong narrative voice’

David’s Book World

‘This whole book is about relationships. The actual investigation and murder mystery isn’t what’s important. It’s not a tear-jerker, but it does grab onto the heart and that pit of fear in your stomach. Everyone should tell their brother/sister that they love them and then go read this book’

Rea’s Reads

An Isolated Incident is good, it is very good. There is no huge drama, no screaming police sirens, no hard-nosed detectives, no dramatic ending as the killer is revealed. It’s a novel based around the emotions of the characters. I found it hugely thought-provoking, and dark with a unique rawness about it that [is] hugely refreshing. The writing is sublime’

My Bookish Blog Spot

‘I can see why it was shortlisted for [so many] prizes and awards’

Bucks Books & Beyond

‘I have no words to describe how affecting An Isolated Incident is. Deeper than your average crime novel, it is one of the best books I’ve read this year’

Elementary V Watson

‘An extraordinary and beautifully wrought tale that works on multiple levels, this is a very powerful, feminist story’

Rachel Read It


Read Emily in The Guardian: There’s no shame in reading whatever books you want – literary snobs be damned

Emily has been awarded the University of Sydney's Charles Perkins Centre writer-in-residence fellowship to work on her next novel.


Emily Maguire

Emily Maguire is the author of the novels Taming the Beast (2004), an international bestseller and finalist for the Dylan Thomas Prize and the Kathleen Mitchell Award, The Gospel According to Luke (2006), Smoke in the Room (2009) and Fishing for Tigers (2012).

She enjoys a high profile in Australia as a social commentator, with her articles and essays on sex, religion and culture appearing in a wide variety of publications.

She lives in Sydney with her husband.

Read more about Emily at